https://sadiaph.com sadiaph Tue, 14 Apr 2026 22:51:31 +0000 https://sadiaph.com en https://sadiaph.com/works Tue, 18 Jan 2022 14:41:09 +0000 sadiaph https://sadiaph.com/works Wales Visitation <img width="3836" height="2860" width_o="3836" height_o="2860" data-src="https://freight.cargo.site/t/original/i/1731e9390267f972e399c29aad90e00ed8cb0bf9d4d5148f2aa3f2f733526969/Screenshot-2026-04-15-at-01.11.54.png" data-mid="247211433" border="0" src="https://freight.cargo.site/w/1000/i/1731e9390267f972e399c29aad90e00ed8cb0bf9d4d5148f2aa3f2f733526969/Screenshot-2026-04-15-at-01.11.54.png" /> 2026. film (15.50min) / 2025. lecture performance (30min) Senyals <img width="5098" height="3399" width_o="5098" height_o="3399" data-src="https://freight.cargo.site/t/original/i/993be55c4d214f139c8bbfb42bf12cd775471f8354bb004c2aa8a157d97c1422/tangent_march_2026_029.jpg" data-mid="246219126" border="0" src="https://freight.cargo.site/w/1000/i/993be55c4d214f139c8bbfb42bf12cd775471f8354bb004c2aa8a157d97c1422/tangent_march_2026_029.jpg" /> 2026. solo show. sculpture, installation, film (8min) Anak Where Did We Stay? <img width="3175" height="1198" width_o="3175" height_o="1198" data-src="https://freight.cargo.site/t/original/i/bff882b50caac8a855fc700f99464cff30eaa46965f79a6095576576700fbc26/anak_still5.jpg" data-mid="244224738" border="0" src="https://freight.cargo.site/w/1000/i/bff882b50caac8a855fc700f99464cff30eaa46965f79a6095576576700fbc26/anak_still5.jpg" /> 2026. solo show. film (16min) Lei Aloha <img width="1500" height="1000" width_o="1500" height_o="1000" data-src="https://freight.cargo.site/t/original/i/61b8f6a241bc1f571cbf9c5b97b3db18eb52049a07d89d1775e105357306eae0/WEB-1500px-72dpi-Vision-or-Dream_---Mostyn-Gallery-JULY-2025--12.jpg" data-mid="236187797" border="0" src="https://freight.cargo.site/w/1000/i/61b8f6a241bc1f571cbf9c5b97b3db18eb52049a07d89d1775e105357306eae0/WEB-1500px-72dpi-Vision-or-Dream_---Mostyn-Gallery-JULY-2025--12.jpg" /> 2025. group show. installation Signals <img width="3000" height="2001" width_o="3000" height_o="2001" data-src="https://freight.cargo.site/t/original/i/d295c3ce5cd68692e6d56fda35d5cbf7b4818cfc2959214a206c19e6bd156a50/Llantarnum-Grange-Sadia-Pineda-Hameed_Dan-Weill-Photography-37.jpg" data-mid="234415884" border="0" src="https://freight.cargo.site/w/1000/i/d295c3ce5cd68692e6d56fda35d5cbf7b4818cfc2959214a206c19e6bd156a50/Llantarnum-Grange-Sadia-Pineda-Hameed_Dan-Weill-Photography-37.jpg" /> 2025. solo show. sculpture, installation, film (8min) Agimat <img width="3000" height="2001" width_o="3000" height_o="2001" data-src="https://freight.cargo.site/t/original/i/2c329843b203b1612573c9d1769e28e699fc9dc58df1d38efa73fad2d2cc49ff/Llantarnum-Grange-Sadia-Pineda-Hameed_Dan-Weill-Photography-11.jpg" data-mid="234415881" border="0" src="https://freight.cargo.site/w/1000/i/2c329843b203b1612573c9d1769e28e699fc9dc58df1d38efa73fad2d2cc49ff/Llantarnum-Grange-Sadia-Pineda-Hameed_Dan-Weill-Photography-11.jpg" /> 2025. solo show. sculpture, installation, text, film (3min) MMMM NOTE <img width="3000" height="2001" width_o="3000" height_o="2001" data-src="https://freight.cargo.site/t/original/i/a33aa8acc33315b5eec818e99448b9ae560ff84cb25d79493ea7723442de7eec/Llantarnum-Grange-Sadia-Pineda-Hameed_Dan-Weill-Photography-1.jpg" data-mid="234415888" border="0" src="https://freight.cargo.site/w/1000/i/a33aa8acc33315b5eec818e99448b9ae560ff84cb25d79493ea7723442de7eec/Llantarnum-Grange-Sadia-Pineda-Hameed_Dan-Weill-Photography-1.jpg" /> 2025. public art A Medium for all the Moments Outside of Time <img width="3600" height="2400" width_o="3600" height_o="2400" data-src="https://freight.cargo.site/t/original/i/a218958106f5b0e6295fe4d060fd130106daeb89e919738ca0801f21f895a15e/G39-HATET-WRT_Feb24_Dan-Weill-Photography-39.jpg" data-mid="205784068" border="0" src="https://freight.cargo.site/w/1000/i/a218958106f5b0e6295fe4d060fd130106daeb89e919738ca0801f21f895a15e/G39-HATET-WRT_Feb24_Dan-Weill-Photography-39.jpg" /> 2024. group show. installation Metallic Thinking <img width="2500" height="1875" width_o="2500" height_o="1875" data-src="https://freight.cargo.site/t/original/i/a4e2925540df4383073d43a0dda3cb9285389530d156771a5da107be55a04b4b/FF-BXT-061.jpg" data-mid="234144065" border="0" src="https://freight.cargo.site/w/1000/i/a4e2925540df4383073d43a0dda3cb9285389530d156771a5da107be55a04b4b/FF-BXT-061.jpg" /> 2024. group show. sculpture Portal <img width="1000" height="1500" width_o="1000" height_o="1500" data-src="https://freight.cargo.site/t/original/i/9819d1eae8fd1bf19702bd326fb4842ff848ce17bfb06d27ccc3530a38573f63/Iniva-Can-publications-be-porous-by-Emile-Holba-13small.jpg" data-mid="181246617" border="0" src="https://freight.cargo.site/w/1000/i/9819d1eae8fd1bf19702bd326fb4842ff848ce17bfb06d27ccc3530a38573f63/Iniva-Can-publications-be-porous-by-Emile-Holba-13small.jpg" /> 2023. group show. installation Ornaments of Prospect<img width="5400" height="3600" width_o="5400" height_o="3600" data-src="https://freight.cargo.site/t/original/i/dd505a1abe616f9e7d926a882f9754688abc4f0754e430666b7539694ced57bf/20230306-Catalyst-Ornaments-of-Prospect-002.jpg" data-mid="171469498" border="0" src="https://freight.cargo.site/w/1000/i/dd505a1abe616f9e7d926a882f9754688abc4f0754e430666b7539694ced57bf/20230306-Catalyst-Ornaments-of-Prospect-002.jpg" /><img width="5400" height="3600" width_o="5400" height_o="3600" data-src="https://freight.cargo.site/t/original/i/dd505a1abe616f9e7d926a882f9754688abc4f0754e430666b7539694ced57bf/20230306-Catalyst-Ornaments-of-Prospect-002.jpg" data-mid="171469498" border="0" src="https://freight.cargo.site/w/1000/i/dd505a1abe616f9e7d926a882f9754688abc4f0754e430666b7539694ced57bf/20230306-Catalyst-Ornaments-of-Prospect-002.jpg" /> <img width="5400" height="3600" width_o="5400" height_o="3600" data-src="https://freight.cargo.site/t/original/i/dd505a1abe616f9e7d926a882f9754688abc4f0754e430666b7539694ced57bf/20230306-Catalyst-Ornaments-of-Prospect-002.jpg" data-mid="171469498" border="0" src="https://freight.cargo.site/w/1000/i/dd505a1abe616f9e7d926a882f9754688abc4f0754e430666b7539694ced57bf/20230306-Catalyst-Ornaments-of-Prospect-002.jpg" />2023. solo show. sculpture, sound (10min) <img width="5184" height="3456" width_o="5184" height_o="3456" data-src="https://freight.cargo.site/t/original/i/6033eb3a35404cabd5c218005e40015e46fb57cf690690b922b1822fe73a531e/Blue-Space_Sadia-Pineda-Hameed-and-Beau-W-Beakhouse_Zamek_2022_photo-Diego-Gutierrez-Valladares_3.jpg" data-mid="155814337" border="0" src="https://freight.cargo.site/w/1000/i/6033eb3a35404cabd5c218005e40015e46fb57cf690690b922b1822fe73a531e/Blue-Space_Sadia-Pineda-Hameed-and-Beau-W-Beakhouse_Zamek_2022_photo-Diego-Gutierrez-Valladares_3.jpg" /><img width="5184" height="3456" width_o="5184" height_o="3456" data-src="https://freight.cargo.site/t/original/i/6033eb3a35404cabd5c218005e40015e46fb57cf690690b922b1822fe73a531e/Blue-Space_Sadia-Pineda-Hameed-and-Beau-W-Beakhouse_Zamek_2022_photo-Diego-Gutierrez-Valladares_3.jpg" data-mid="155814337" border="0" src="https://freight.cargo.site/w/1000/i/6033eb3a35404cabd5c218005e40015e46fb57cf690690b922b1822fe73a531e/Blue-Space_Sadia-Pineda-Hameed-and-Beau-W-Beakhouse_Zamek_2022_photo-Diego-Gutierrez-Valladares_3.jpg" /> <img width="5184" height="3456" width_o="5184" height_o="3456" data-src="https://freight.cargo.site/t/original/i/6033eb3a35404cabd5c218005e40015e46fb57cf690690b922b1822fe73a531e/Blue-Space_Sadia-Pineda-Hameed-and-Beau-W-Beakhouse_Zamek_2022_photo-Diego-Gutierrez-Valladares_3.jpg" data-mid="155814337" border="0" src="https://freight.cargo.site/w/1000/i/6033eb3a35404cabd5c218005e40015e46fb57cf690690b922b1822fe73a531e/Blue-Space_Sadia-Pineda-Hameed-and-Beau-W-Beakhouse_Zamek_2022_photo-Diego-Gutierrez-Valladares_3.jpg" /> <img width="5184" height="3456" width_o="5184" height_o="3456" data-src="https://freight.cargo.site/t/original/i/6033eb3a35404cabd5c218005e40015e46fb57cf690690b922b1822fe73a531e/Blue-Space_Sadia-Pineda-Hameed-and-Beau-W-Beakhouse_Zamek_2022_photo-Diego-Gutierrez-Valladares_3.jpg" data-mid="155814337" border="0" src="https://freight.cargo.site/w/1000/i/6033eb3a35404cabd5c218005e40015e46fb57cf690690b922b1822fe73a531e/Blue-Space_Sadia-Pineda-Hameed-and-Beau-W-Beakhouse_Zamek_2022_photo-Diego-Gutierrez-Valladares_3.jpg" />adzing planes like waning moons <img width="5173" height="2914" width_o="5173" height_o="2914" data-src="https://freight.cargo.site/t/original/i/4ca9a43e8b893474529f4784fc5ba01272049b318cfd67cd5bf9b880a102856c/Beau-W-Beakhouse-and-Sadia-Pineda-Hameed_adzing-planes-like-waning-moons_detail_2022_courtesy-of-artists-02.jpg" data-mid="205685452" border="0" src="https://freight.cargo.site/w/1000/i/4ca9a43e8b893474529f4784fc5ba01272049b318cfd67cd5bf9b880a102856c/Beau-W-Beakhouse-and-Sadia-Pineda-Hameed_adzing-planes-like-waning-moons_detail_2022_courtesy-of-artists-02.jpg" />2022. group show. installation, sound (10min) Robert Owen 250<img width="1422" height="1896" width_o="1422" height_o="1896" data-src="https://freight.cargo.site/t/original/i/e7002970484b0b7b17ae4c208fa48ce76d239bc515b48e1222e22021fdd4ecb5/IMG_0052.JPG" data-mid="156792224" border="0" src="https://freight.cargo.site/w/1000/i/e7002970484b0b7b17ae4c208fa48ce76d239bc515b48e1222e22021fdd4ecb5/IMG_0052.JPG" />2022. public art, text, ASCII art carve, hew, adze, bend, weave, grow, split, join<img width="1500" height="1200" width_o="1500" height_o="1200" data-src="https://freight.cargo.site/t/original/i/926727288b66353682eeaac899abbb1ff4142d6e56df2be036d67a19d2842acc/IMG_7518.jpg" data-mid="171470970" border="0" src="https://freight.cargo.site/w/1000/i/926727288b66353682eeaac899abbb1ff4142d6e56df2be036d67a19d2842acc/IMG_7518.jpg" /> 2022. public art Brent Biennial billboards<img width="1086" height="724" width_o="1086" height_o="724" data-src="https://freight.cargo.site/t/original/i/e75a817b86f298c671d9ab2350faff17a305677a1e855e4dc9b342281bcfc3fd/Sadia-Pineda-Hameed---misunderstanding-accommodation-performance-loss---2022--Clapham-Gauden..jpeg" data-mid="156794139" border="0" src="https://freight.cargo.site/w/1000/i/e75a817b86f298c671d9ab2350faff17a305677a1e855e4dc9b342281bcfc3fd/Sadia-Pineda-Hameed---misunderstanding-accommodation-performance-loss---2022--Clapham-Gauden..jpeg" /> 2022. public art PAMPHLET BOMB <img width="6048" height="4024" width_o="6048" height_o="4024" data-src="https://freight.cargo.site/t/original/i/4c5f1de29fa07f5c0479102d14e5a19c44b4fff475a064c0b254faca1552b10a/Experimenticapamphletbombkirstenmcternan042.jpg" data-mid="130616556" border="0" src="https://freight.cargo.site/w/1000/i/4c5f1de29fa07f5c0479102d14e5a19c44b4fff475a064c0b254faca1552b10a/Experimenticapamphletbombkirstenmcternan042.jpg" /> 2021. performance (45min) Borrow Tomorrow<img width="6000" height="4000" width_o="6000" height_o="4000" data-src="https://freight.cargo.site/t/original/i/6416ac076b51e0ffb3f2ba9c7454431988804e67bb3762cb503718ab69a29d1d/SadiaBeau_BorrowTomorrow_2021_MosaicRooms.jpg" data-mid="130617038" border="0" src="https://freight.cargo.site/w/1000/i/6416ac076b51e0ffb3f2ba9c7454431988804e67bb3762cb503718ab69a29d1d/SadiaBeau_BorrowTomorrow_2021_MosaicRooms.jpg" />2021. performance (40min) Steal Books, New Libraries<img width="2241" height="1501" width_o="2241" height_o="1501" data-src="https://freight.cargo.site/t/original/i/faad4c6d955d9a1bef984270b6aaf158ae2eeb3b9eac38d7baa9b575b4536cd3/Mark-Blower-210705-Mostyn-0176cropped.png" data-mid="130617635" border="0" src="https://freight.cargo.site/w/1000/i/faad4c6d955d9a1bef984270b6aaf158ae2eeb3b9eac38d7baa9b575b4536cd3/Mark-Blower-210705-Mostyn-0176cropped.png" />2021. group show. installation it resonates like spalting wood<img width="4327" height="2437" width_o="4327" height_o="2437" data-src="https://freight.cargo.site/t/original/i/b77d16e31fa3756c0679db0cbd30826c76ae2ed48efdbe8d8a3ff714d7523a8d/Beau-W-Beakhouse-and-Sadia-Pineda-Hameed_it-resonates-like-spalting-wood_detail_2021_courtesy-of-artists-10-brighter.jpg" data-mid="205685457" border="0" src="https://freight.cargo.site/w/1000/i/b77d16e31fa3756c0679db0cbd30826c76ae2ed48efdbe8d8a3ff714d7523a8d/Beau-W-Beakhouse-and-Sadia-Pineda-Hameed_it-resonates-like-spalting-wood_detail_2021_courtesy-of-artists-10-brighter.jpg" />2021. solo show. installation Speculation<img width="3352" height="1884" width_o="3352" height_o="1884" data-src="https://freight.cargo.site/t/original/i/552d3e95c723b1d47ec901bef00a513f5e184aca5d095088bccd779130bb1b90/SadiaPinedaHameed-BeauWBeakhouse_SpeculationPerformanceStill_JerwoodUNITe_g39_June2021.png" data-mid="130612360" border="0" src="https://freight.cargo.site/w/1000/i/552d3e95c723b1d47ec901bef00a513f5e184aca5d095088bccd779130bb1b90/SadiaPinedaHameed-BeauWBeakhouse_SpeculationPerformanceStill_JerwoodUNITe_g39_June2021.png" />2021. group show. installation, performance (10min) Common Collective<img width="4096" height="2048" width_o="4096" height_o="2048" data-src="https://freight.cargo.site/t/original/i/77039be0af958829fe0ea972e7ef735c9bff27b88444e4ff036dbbfb53dfaf69/catalyststill1.jpg" data-mid="130619162" border="0" src="https://freight.cargo.site/w/1000/i/77039be0af958829fe0ea972e7ef735c9bff27b88444e4ff036dbbfb53dfaf69/catalyststill1.jpg" />2021. text, digital interactive space The Song of My Life <img width="1112" height="741" width_o="1112" height_o="741" data-src="https://freight.cargo.site/t/original/i/914faab93fa540878d31b721b0885d297e1b2fe4d4adbd66d67ea857dda65241/sadia3.png" data-mid="130612528" border="0" src="https://freight.cargo.site/w/1000/i/914faab93fa540878d31b721b0885d297e1b2fe4d4adbd66d67ea857dda65241/sadia3.png" />2020. solo show. hi8 film (10min) Reclaim the Waterway <img width="1500" height="844" width_o="1500" height_o="844" data-src="https://freight.cargo.site/t/original/i/ef7d1348421c979916b442c236d21606fc46ab8f9f9ce296dc0fe6455a6d63a7/Peak-Film-3-still-4.jpg" data-mid="155742069" border="0" src="https://freight.cargo.site/w/1000/i/ef7d1348421c979916b442c236d21606fc46ab8f9f9ce296dc0fe6455a6d63a7/Peak-Film-3-still-4.jpg" />2020. three films (6.30min, 5.30min, 5min) Tiny Bubbles in the Wine <img width="1363" height="937" width_o="1363" height_o="937" data-src="https://freight.cargo.site/t/original/i/8ddd97dead1d7d03d2e3ad9d4213e73db03758ffa5d3215af4750e7193708371/tinybubbles3.png" data-mid="130613355" border="0" src="https://freight.cargo.site/w/1000/i/8ddd97dead1d7d03d2e3ad9d4213e73db03758ffa5d3215af4750e7193708371/tinybubbles3.png" /> 2019. group show. film (5min)WARP Library Dialogue <img width="1748" height="2480" width_o="1748" height_o="2480" data-src="https://freight.cargo.site/t/original/i/48d6acad6859b603c8233d73f9c8b22f2d876dd48b123050a035c05b076565ec/f.jpg" data-mid="130615379" border="0" src="https://freight.cargo.site/w/1000/i/48d6acad6859b603c8233d73f9c8b22f2d876dd48b123050a035c05b076565ec/f.jpg" />2019. prints, performance Write Fifty Words <img width="873" height="519" width_o="873" height_o="519" data-src="https://freight.cargo.site/t/original/i/b12853d86d094a3f90c4f7b89128c983e93c009858fd44ecc557934b8100f693/fiftywords1.png" data-mid="130613756" border="0" src="https://freight.cargo.site/w/873/i/b12853d86d094a3f90c4f7b89128c983e93c009858fd44ecc557934b8100f693/fiftywords1.png" />2019. group show. installation A New Mecca <img width="768" height="512" width_o="768" height_o="512" data-src="https://freight.cargo.site/t/original/i/54ff3cf282d724a90ef469d517d70b89a14e2fbf80dae3edb870c17221b83afe/temple-of-peace-8145-2.jpg" data-mid="130613923" border="0" src="https://freight.cargo.site/w/768/i/54ff3cf282d724a90ef469d517d70b89a14e2fbf80dae3edb870c17221b83afe/temple-of-peace-8145-2.jpg" />2018. group show. performance Decolonising Heritage <img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/5677a28b176147f4cfb9f2a16d3df7e5220178a79d1d00a9d01c3d9b0aafe1f5/shedtalkstill2.png" data-mid="130614387" border="0" src="https://freight.cargo.site/w/1000/i/5677a28b176147f4cfb9f2a16d3df7e5220178a79d1d00a9d01c3d9b0aafe1f5/shedtalkstill2.png" /> 2018. film, performance (30min) Enshrinement <img width="3000" height="1995" width_o="3000" height_o="1995" data-src="https://freight.cargo.site/t/original/i/7cd45202061688ca01e95070bf4067a2f3fa2aca77fb51cbba0dee729232f4a2/DSC_0615.JPG" data-mid="130614578" border="0" src="https://freight.cargo.site/w/1000/i/7cd45202061688ca01e95070bf4067a2f3fa2aca77fb51cbba0dee729232f4a2/DSC_0615.JPG" />2018. group show. installation https://sadiaph.com/cv-mobile Thu, 13 Oct 2022 11:20:35 +0000 sadiaph https://sadiaph.com/cv-mobile sadiaph@gmail.com@sadiaphb. 1995, Londonbased in the Ebbw Valley, Wales Sadia Pineda Hameed is a Filipina Pakistani artist and writer whose work explores latent ways to speak about collective and intergenerational trauma through anticolonial strategies of dreaming, telepathic communion and secrets. Using 16mm film and hi8 video, sculptural installation, text and performance, her work imagines what future tools for resistance, value and communication springing from these strategies might look like – often through the ‘handheld’. Her practice is led by a process of cross-disciplinary semiotic, gestural and associative journeying in resistance to western processes of historicisation and displacement. Mythmaking, melodrama and decoy become playful devices to speak through a ‘delirious discourse’ where personal archives and collective experiences converge. She often works collaboratively, and co-created print, radio and curatorial project LUMIN (2018 - 2024). AWARDSWilhelmina Barns-Graham Porthmeor Studios Award 2026 Alchemy Film and Moving Image Festival official selection 2026 Focus Wales Film Festival official selection 2026 (winner)WOW Film Festival official selection 2026 (winner)Queer East Film Festival official selection 2025Colwinston Award 2025Pushcart Prize Nominee 2024Arts Council Wales Perspectives Fellowship 2024Pushcart Prize Nominee 2023British School at Rome Fellowship 2023g39 Freelands Fellowship 2022-24Paul Hamlyn Award for Visual Artists 2021Literature Wales New Writers Award 2020Rising Star Wales Writers Award 2020 SOLO EXHIBITION 2026Senyals, Tangent Projects, BarcelonaAnak Where Did We Stay?, The Box, Plymouth2025Agimat, Llantarnam Grange, CwmbranSignals, The Big Pit National Coal Museum, National Museum Wales, Blaenavon2023Ornaments of Prospect, Catalyst Arts, Belfast 2022Billboards, Brent Biennial 2022, In the House of my Love, Metroland Cultures, Build Hollywood and Studio Voltaire, London 2021it resonates like spalting wood, Arcade/Campfa, Cardiff2020The Song of My Life, Bluecoat, LiverpoolLocal 37, MOSTYN, LlandudnoGROUP EXHIBITION 2025Carreg Ateb: Vision or Dream?, part of Jeremy Deller’s The Triumph of Art, Mostyn, Llandudno2024HERE, NOW, Bay Arts, CardiffHere, at the edge, today, g39, CardiffBetwixt: Beneath, the Crypt Gallery, LondonSMALL V01CE, Honor Fraser, Los Angeles CA2023Can publications be porous?, Stuart Hall Library, Iniva, London British School at Rome Open Studios, Rome2022Open Milpa Lab: Living Room, Centrum Kultury ZAMEK, Poznan Thinking Green, Glynn Vivian, SwanseaI Watched in Amazement, curated by HOAX, The Mosaic Rooms, London2021The Mobile Feminist Library: In Words, In Action, In Connection, MOSTYN, LlandudnoJerwood UNITe open studios, g39, Cardiff2020(un)seen (un)heard, National Museum Cardiff2019Made in Roath Open, g39, CardiffA New Mecca, The Temple of Peace, Gentle/Radical, Cardiff2018Analogue, Three Doors Up, Cardiff RESIDENCIES 2026 Wilhelmina Barns-Graham Award, Porthmeor Studios, St Ives 2025Tin House - McCormack Writing Center, Portland OR2023British School at Rome, Rome2022Centrum Kultury ZAMEK, PoznanCasgleb, Peak Cymru, Abergavenny2021Unidee, Cittadellarte - Fondazione Pistoletto, BiellaCo-Tangent, Tangent Projects, BarcelonaJerwood UNITe, g39, CardiffCatalyst Arts Spring online residency, Belfast2020Hinterlands, Peak CymruHunan-Iaith, Ty Newydd National Writing Centre for Wales, Criccieth2019WARP Library residency, g39, Cardiff New Writers Award residency, Ty Newydd National Writing Centre for Wales, CricciethCuratorial residency, SHIFT, Cardiff PERFORMANCE 2026 Ghost in the Karaoke Machine, IC Visual Lab, Bristol featured poet, Folding Rock, Hay Festival, Hay-on-Wyefeatured poet, Speaking Badly, Bacareto, CardiffA Visitation, Cardiff University, Cardiff2025 A Visitation, All Our Exes Are Unfinished Films: Reimagining Women’s Unfinished Film in Wales, Image Works, Chapter Arts Centre, Cardifffeatured poet, Constellations Reading Series, Bishop and Wilde, Portland OR 2022Link Rot, Jerwood Staging Series, Jerwood Arts2021Borrow Tomorrow, The Mosaic Rooms, LondonPAMPHLET BOMB, Chapter Arts Centre, Cardiffspeculation, Jerwood UNITe open studios, g39, Cardiff2020return etc, Digithon Festival, arts headliner, Wales Arts Review2019featured poet, Where I’m Coming From, g39, CardiffBearing Witness to Truth, National Museum Cardiff and Artes Mundi, Cardiff2018The Crypt, Gentle/Radical’s A New Mecca, The Temple of Peace, CardiffDecolonising Heritage with Gentle/Radical, Bay Arts, Cardiff, commissioned by the Eisteddfod &amp; the National Trustfeatured poet, Porridge, Theatre Deli, Londonfeatured poet, Women &amp; War: An Un-silencing, The Open University and Festival of Voice, Cardiff PUBLICATION 2026 Memory Beds, Folding Rock issue 0042025Signals/Agimat, Llantarnam Grangefeatured in New Writers Select the Best Art Shows in the UK and Ireland, Friezechrono trigger, Xeno Futurism issue 22024Conditioned Space, Bay ArtsOH flag, Poetry Wales 60.2 Winter 2024 discus and when i was 19 i interviewed Patrick Shen on the phone, Cwyr Zine issue 22023cinema, Poetry Wales 59.1 Summer 2023interview, British School at Rome 2022featured in HON: Women Artists in Wales, H’mm Arts Foundation Press UTYPIA, Oriel Davies Gallery2021featured in Land of My Mothers: Is it Time to Hear Wales’ Feminist Voice?, Elephant MagazineEditor’s Note: Power, Money and Visual Culture, Cynfas, National Museum WalesMerched yn Gwneud Celf zine, Eisteddfodfeatured in Welsh Experimental Writing, Poetry Wales 57.1 Summer 2021 Cataloguing, DOUBLE, Takeaway #9 consultant on Imagining Internationally Connected Practice, Arts Council Wales2020Redefining Resilience, Welsh Agenda #65Undefining the Artist, Wales Arts ReviewDismantling Structural Inequality in Your Cinema, BFI featured in LOVE Magazine, Love Diaries vol. 1Evening, ZARF #142019Tortang Talong, Porridge Magazine: Comfort FoodsSite Ruin, Amberflora issue 6interview, Wide Vicinity2018Save Our Sculpture, Wales Arts ReviewFor you, after a film, Porridge Magazine issue 1To (Un)speak Madness re: Derrida, Foucault, Artaud, LUMIN Journal 1 TALKS 2025 Confluence / Reading Room, Fire Station Artists’ Studios, DublinTestun/Testun podcastConfluence / Reading Room, Tangent Projects, Barcelonaartist talk, Llandeilo Literature Festival, National Trustvisiting artist, Cardiff Metropolitan - Fine Arts BAArts Review Show, BBC Radio Wales 2024artist talk, Peak Cymru and Llantarnam Grange2023artist talk, CASTRO Projects, Romevisiting artist, Arts Council Wales’ Cynefinvisiting artist, Oriel Myrddin 2022 visiting artist, Cardiff Metropolitan - Fine Arts BA visiting artist, Oxford University - Fine Arts MA 2021artist talk, HerStories / Shelf Life, Inivaartist talk, Home and Away, Gallery Simpson, SwanseaDismantling Structural Inequality In Your Cinema, Glasgow Film Festival (2021), This Way Up Festival (2020)Boxoffice podcast 2020Women in Publishing Symposium, Bangor University 2019Arts Review Show, BBC Radio WalesDis/establishing the Archive, Archiving Gender symposium, Cardiff University 2018Decolonising the Starving Artist, Gentle/Radical’s Imagination Forum #4, symposium at Sustainable Studios, Cardiff https://sadiaph.com/wales-visitation Tue, 14 Apr 2026 22:51:31 +0000 sadiaph https://sadiaph.com/wales-visitation WALES VISITATION 2026. hi8 film (15.50min)2025. lecture performance, film (30min)Chapter Arts Centre, Cardiff24 August Retracing Allen Ginsberg’s 1967 ‘trip’ to the Llanthony Valley, Wales Visitation follows an attempt to channel the poet and document his route through enactments, alignments and apparitions. Using clues gleaned from Ginsberg’s poem of the same name, the film unfolds as a semiotic trail where the filmmaker’s encounters echo and accumulate. Handheld footage of tourists, sleeping horses, birdcalls and day/night cycles signpost a route as it begins to form. A diary, a dramatisation and a spiritual road movie, Wales Visitation&nbsp;traces not a fixed path, but the conditions under which something might be called back.A lecture performance was also developed during the editing process, meditating on filmmaking through delay and re-encounter. ‘Returning to a film imagined over a decade ago that maps Allen Ginsberg’s 1967 ‘trip’ to Wales, Sadia Pineda Hameed meditates on how, in its incompleteness, the project has become a site for personal retracing, rehearsal, and re-entry. Drawing on themes of absence and apparition, decoy and mimesis, A Visitation speaks to the intuitions and instabilities of identity via the self-shot film. This lecture-performance presents unedited hi8 footage, reminiscent of the home video, gesturing toward postcolonial ways of archiving where memory may remain tenderly unresolved.’ Hosted by Dr Alix Beeston and Dr Meena Saverimuttu and presented by Image Works: Research and Practice in Visual Culture, with funding from Cardiff University/UKRI. First performed as part of ALL OUR EXES ARE UNFINISHED FILMS: Reimagining Women’s Unfinished Film in Wales. <img width="1084" height="718" width_o="1084" height_o="718" data-src="https://freight.cargo.site/t/original/i/84fb8318306eee0368c8686997a94a73752ba1e021a8b2dce9fcee4c6aa1b55b/Sequence-01.00_22_00_07.Still005.jpg" data-mid="247210157" border="0" src="https://freight.cargo.site/w/1000/i/84fb8318306eee0368c8686997a94a73752ba1e021a8b2dce9fcee4c6aa1b55b/Sequence-01.00_22_00_07.Still005.jpg" /> <img width="3836" height="2860" width_o="3836" height_o="2860" data-src="https://freight.cargo.site/t/original/i/c22ff0b952a96bfa6833edf79ce1716e17805970c6cede1f8e039e689ed00814/Screenshot-2026-04-15-at-01.11.54.png" data-mid="247211381" border="0" src="https://freight.cargo.site/w/1000/i/c22ff0b952a96bfa6833edf79ce1716e17805970c6cede1f8e039e689ed00814/Screenshot-2026-04-15-at-01.11.54.png" /> <img width="3842" height="2860" width_o="3842" height_o="2860" data-src="https://freight.cargo.site/t/original/i/7b3117e215ec65733911f02840e0146313fc240b779b51d21362adadd2c47dd0/Screenshot-2026-04-15-at-01.16.18.png" data-mid="247211385" border="0" src="https://freight.cargo.site/w/1000/i/7b3117e215ec65733911f02840e0146313fc240b779b51d21362adadd2c47dd0/Screenshot-2026-04-15-at-01.16.18.png" /> <img width="3844" height="2864" width_o="3844" height_o="2864" data-src="https://freight.cargo.site/t/original/i/116066a300ee870932e0712049011dfe8265d20fe6e55021455fefcb399cef9e/Screenshot-2026-04-15-at-01.13.39.png" data-mid="247211382" border="0" src="https://freight.cargo.site/w/1000/i/116066a300ee870932e0712049011dfe8265d20fe6e55021455fefcb399cef9e/Screenshot-2026-04-15-at-01.13.39.png" /> <img width="3844" height="2862" width_o="3844" height_o="2862" data-src="https://freight.cargo.site/t/original/i/a8124d6516e1ce37d461109592978649d7bce3c2c561c4c7b853dae5330d6906/Screenshot-2026-04-15-at-01.17.50.png" data-mid="247211383" border="0" src="https://freight.cargo.site/w/1000/i/a8124d6516e1ce37d461109592978649d7bce3c2c561c4c7b853dae5330d6906/Screenshot-2026-04-15-at-01.17.50.png" /> <img width="1082" height="718" width_o="1082" height_o="718" data-src="https://freight.cargo.site/t/original/i/0586a45fc0bcdae0b6b6252df5f19bfb13542cf9c0aae16d38d3284c7522c861/Sequence-01.00_14_51_14.Still002.jpg" data-mid="247210155" border="0" src="https://freight.cargo.site/w/1000/i/0586a45fc0bcdae0b6b6252df5f19bfb13542cf9c0aae16d38d3284c7522c861/Sequence-01.00_14_51_14.Still002.jpg" /> https://sadiaph.com/senyals Wed, 18 Mar 2026 19:59:21 +0000 sadiaph https://sadiaph.com/senyals SENYALS 2026. super 16mm and archival super 8mm film (8min), pewter sculpture, sound installation solo show.Tangent Projects, Barcelona 27 February - 27 March Featuring sound, installation and film works, Sadia Pineda Hameed’s exhibition Senyals (‘signals’ in Catalan) explores connections between Wales’ history of mining and strike action and wider global histories of resource extraction and solidarity movements. Focusing on histories of mutual support between Welsh miners and republican fighters during the Spanish Civil War, the exhibition moves between Wales and Catalonia to consider how voices, signals and covert communications carry solidarity across distance, time and borders when bodies cannot. The exhibition includes metal sculptures (Long Distant Calls), moving image work (Moving Sound), and a new sculptural sound work (It Belongs Not Only To Us). This new work brings together recordings of black singer, actor and activist Paul Robeson’s transatlantic transmission to Welsh miners, his speech and performance to republican fighters during the Spanish Civil War and oral testimonies from Welsh miner brigaders who fought alongside Catalonians. Through this work, Sadia connects these moments of solidarity across sound, geography and temporality, thereby bridging Wales and Catalonia. Moving Sound (8min) is a speculative work set across 1980s and near-future Wales, shot on super 16mm. In the film, sounds of present day anti-colonial and anti-capitalist strategies for mining strikes are transmitted from Soundcamp streamboxes to the past via an underground, time travelling broadcast. In the 1980s, workers build DIY receivers from Moving Sound portable audio devices, which they use to distribute the broadcast around sites of production and the everyday. Moving Sound blurs fictional 16mm and archival 8mm footage from Sam Baraitser Smith into covert sonic action to explore how organising converges and enacts across geographies, temporality, fantasy and reality.&nbsp; Winner at FOCUS Film Festival and WOW Film Festival, 2026. Long Distance Calls is a series of sculptural string telephones in the style of commemorative silverware, with each pair joining the shared resistance of mining strikes in Wales and in the Global South. Inspired by Big Pit’s bell system - used by miners to communicate underground in code by touching two metal wires together - Long Distance Calls are votive talismans for organised, underground, quiet signals of international solidarity, that consider how commemoration can function to not only memorialise, but also collectivise resistance against colonial and capitalist resource extraction. The strikes referenced are the Tonypandy Riots (1911), the General Strike (1926), the Miners’ Strike (1984-85), the Brooke’s Point Barricade (2023), the Jujuy Protests (2023) and the Kinshasa Riots (2025). Also on display are a collection of personal and solidarity pins/badges, inspired by those seen during Sadia’s research and metal casting workshops at the Big Pit, Blaenavon.Senyals is a continuation and extension of work developed through Perspective(s), a decolonial initiative co-delivered by Arts Council Wales and Amgueddfa Cymru – National Museum Wales. Earlier versions of the works were first shown in Signals, Sadia’s solo exhibition at the Big Pit National Coal Museum, Blaenavon, which ran from 31 May to 31 August 2025. The exhibition at Tangent Projects re-presents and further develops these works in a new context, marking their first presentation in Spain. Curated by Tsering Frykman-Glen. Supported by Wales Arts International’s International Opportunities Fund, Arts Council Wales and Amgueddfa Cymru - National Museum Wales’ Perspective(s) and the Welsh Government. Images: Tanya Zommer&gt;Exhibition webpage&gt;Signals <img width="4958" height="3292" width_o="4958" height_o="3292" data-src="https://freight.cargo.site/t/original/i/28a41f8781ebca171ff88b90eaf8914797398d115666aaa35576faf6bc851fb9/WhiteAlchemyLaurel2026.png" data-mid="246824939" border="0" src="https://freight.cargo.site/w/1000/i/28a41f8781ebca171ff88b90eaf8914797398d115666aaa35576faf6bc851fb9/WhiteAlchemyLaurel2026.png" /> <img width="4958" height="3292" width_o="4958" height_o="3292" data-src="https://freight.cargo.site/t/original/i/e4a7cffd5fe9dd0e4b6d64fadc304ce55d1ebc4fa666ba4ea5dfa55d8ab05291/OFFICIALSELECTION-WOWWalesOneWorldFilmFestival-2026-1.png" data-mid="246218671" border="0" src="https://freight.cargo.site/w/1000/i/e4a7cffd5fe9dd0e4b6d64fadc304ce55d1ebc4fa666ba4ea5dfa55d8ab05291/OFFICIALSELECTION-WOWWalesOneWorldFilmFestival-2026-1.png" /> <img width="3000" height="1909" width_o="3000" height_o="1909" data-src="https://freight.cargo.site/t/original/i/186c54ade457d2438f713a76f00bba0930014334ab6f79176902e82741c09130/FOCUS2026_film_laurels_officialselection_W_1.png" data-mid="246218672" border="0" src="https://freight.cargo.site/w/1000/i/186c54ade457d2438f713a76f00bba0930014334ab6f79176902e82741c09130/FOCUS2026_film_laurels_officialselection_W_1.png" /> <img width="5098" height="3399" width_o="5098" height_o="3399" data-src="https://freight.cargo.site/t/original/i/32cee2effd4873609eaa00787f59beae310059fe10d31e5721536a9aa0bebcfd/tangent_march_2026_029.jpg" data-mid="246218900" border="0" src="https://freight.cargo.site/w/1000/i/32cee2effd4873609eaa00787f59beae310059fe10d31e5721536a9aa0bebcfd/tangent_march_2026_029.jpg" /> <img width="4647" height="3098" width_o="4647" height_o="3098" data-src="https://freight.cargo.site/t/original/i/58f1a0ab8efe2d7eef210ce0b95c959888f5ab3b1d186e96cb8854847fd03d5b/tangent_march_2026_038.jpg" data-mid="246218902" border="0" src="https://freight.cargo.site/w/1000/i/58f1a0ab8efe2d7eef210ce0b95c959888f5ab3b1d186e96cb8854847fd03d5b/tangent_march_2026_038.jpg" /> <img width="5329" height="3553" width_o="5329" height_o="3553" data-src="https://freight.cargo.site/t/original/i/b85fa47619a67ace2cbe133abdc1eb9366e7d4907602104b33f1359a305d8279/tangent_march_2026_006.jpg" data-mid="246218904" border="0" src="https://freight.cargo.site/w/1000/i/b85fa47619a67ace2cbe133abdc1eb9366e7d4907602104b33f1359a305d8279/tangent_march_2026_006.jpg" /> <img width="5616" height="3744" width_o="5616" height_o="3744" data-src="https://freight.cargo.site/t/original/i/e0d6eb1f2c506803adfb09f330ad0d2babe934ddc4fa4b1059e1c49ee598dee2/tangent_march_2026_015.jpg" data-mid="246218905" border="0" src="https://freight.cargo.site/w/1000/i/e0d6eb1f2c506803adfb09f330ad0d2babe934ddc4fa4b1059e1c49ee598dee2/tangent_march_2026_015.jpg" /> <img width="5616" height="3744" width_o="5616" height_o="3744" data-src="https://freight.cargo.site/t/original/i/23636dc69e22bcc8abfb489b8cabad63d5b56c88a0c7197c06d5a1d003477057/tangent_march_2026_014.jpg" data-mid="246218906" border="0" src="https://freight.cargo.site/w/1000/i/23636dc69e22bcc8abfb489b8cabad63d5b56c88a0c7197c06d5a1d003477057/tangent_march_2026_014.jpg" /> <img width="5547" height="3656" width_o="5547" height_o="3656" data-src="https://freight.cargo.site/t/original/i/f68ac70cc3df31775c72f22ca50d5bcfe7ca1255c6f60b9e7906b8e446eeb6af/tangent_march_2026_035-copy.jpg" data-mid="246218911" border="0" src="https://freight.cargo.site/w/1000/i/f68ac70cc3df31775c72f22ca50d5bcfe7ca1255c6f60b9e7906b8e446eeb6af/tangent_march_2026_035-copy.jpg" /> <img width="5616" height="3744" width_o="5616" height_o="3744" data-src="https://freight.cargo.site/t/original/i/fd275eba412597c4de5f3400073030bed5d2f3b7263602761d121e04df309735/tangent_march_2026_002.jpg" data-mid="246218915" border="0" src="https://freight.cargo.site/w/1000/i/fd275eba412597c4de5f3400073030bed5d2f3b7263602761d121e04df309735/tangent_march_2026_002.jpg" /> <img width="5285" height="3523" width_o="5285" height_o="3523" data-src="https://freight.cargo.site/t/original/i/1da0c98f1817d6b5a5c4e621bbebd48d88d9991d3d22b5c58998016cf1ea95ab/tangent_march_2026_004.jpg" data-mid="246218912" border="0" src="https://freight.cargo.site/w/1000/i/1da0c98f1817d6b5a5c4e621bbebd48d88d9991d3d22b5c58998016cf1ea95ab/tangent_march_2026_004.jpg" /> <img width="5045" height="3363" width_o="5045" height_o="3363" data-src="https://freight.cargo.site/t/original/i/92f4711d9954e3e09993f167f1b9f4efb89c99cbb5469cbe5836cbd7cee6507f/tangent_march_2026_007.jpg" data-mid="246218913" border="0" src="https://freight.cargo.site/w/1000/i/92f4711d9954e3e09993f167f1b9f4efb89c99cbb5469cbe5836cbd7cee6507f/tangent_march_2026_007.jpg" /> https://sadiaph.com/anak Fri, 30 Jan 2026 22:38:44 +0000 sadiaph https://sadiaph.com/anak ANAK WHERE DID WE STAY? 2026. hi8 and archival film (16min), five channel installationThe Box, Plymouth 14 February - 14 June Anak Where Did We Stay? is a multi-channel film by Sadia Pineda Hameed that brings together The Box’s home movie collection and the artist’s personal/family collection. Rasheed Araeen’s chakras, spouting waves, Beatlesmania, a basking shark, hula dance, an Enoch Powell protest, tidal islands and seafoam floating into the air—the archives converge across time to tell the story of the artist’s mother’s migration from one archipelago to another: the Philippines to the British Isles.The film becomes a gathering site for personal and collective experiences of journeys, resilience and belonging. Road trips unexpectedly reenact the archive, footage finds itself out of context, voices commentate the film as if rewatching a home movie together; mimesis, associations and autonomy are central to the retelling.As camcorders became more accessible from the 1970s onwards, home movies were an unconscious means to rebuild personal archives after colonial displacement, extraction and erasure. Anak Where Did We Stay? sits in dialogue with The National Portrait Gallery’s tour of Sir Joshua Reynolds’ Portrait of Mai (1776), depicting the first Pacific Islander to visit Britain; considering how stories of movement are held and reimagined beyond institutional representations.Anak Where Did We Stay?, named after a home movie in The Box’s archive titled Perranporth Where Did We Stay?, unfolds as a conversation between the artist and her mother, exploring the three interconnected journeys of migration, holidays and remembering. Archival footage courtesy of the South West Film &amp; Television Archive and Asad Hameed. Produced as part of The Box’s Reimagining the Film Archive programme. Supported by the Box, the BFI Screen Heritage Fund, the National Lottery and Arts Council England. Images: Dom Moore <img width="8225" height="5483" width_o="8225" height_o="5483" data-src="https://freight.cargo.site/t/original/i/fab68737abaa8ae0118983405109fae2682e322a47a6101184e6975d6d247db1/dommoore_2026_box_media_lab_film_commission_300dpi-1753.jpg" data-mid="247232501" border="0" src="https://freight.cargo.site/w/1000/i/fab68737abaa8ae0118983405109fae2682e322a47a6101184e6975d6d247db1/dommoore_2026_box_media_lab_film_commission_300dpi-1753.jpg" /> <img width="3024" height="2012" width_o="3024" height_o="2012" data-src="https://freight.cargo.site/t/original/i/e278d16047e81fc0020866cd252434968e73c819f804d26b4260f424922b97f1/IMG_9137-copy.jpg" data-mid="246220075" border="0" src="https://freight.cargo.site/w/1000/i/e278d16047e81fc0020866cd252434968e73c819f804d26b4260f424922b97f1/IMG_9137-copy.jpg" /> <img width="8225" height="5483" width_o="8225" height_o="5483" data-src="https://freight.cargo.site/t/original/i/6b80e7da293f44aa69730b07c73c7c79a9928692fb564ec972b43d42593398c7/dommoore_2026_box_media_lab_film_commission_300dpi-1742.jpg" data-mid="247228151" border="0" src="https://freight.cargo.site/w/1000/i/6b80e7da293f44aa69730b07c73c7c79a9928692fb564ec972b43d42593398c7/dommoore_2026_box_media_lab_film_commission_300dpi-1742.jpg" /> <img width="6567" height="2339" width_o="6567" height_o="2339" data-src="https://freight.cargo.site/t/original/i/ce51671905ef305691ad510f0147b43af2d047deb4f1591a09d69444b38450f3/dommoore_2026_box_media_lab_film_commission_300dpi-1751-copy.jpg" data-mid="247232496" border="0" src="https://freight.cargo.site/w/1000/i/ce51671905ef305691ad510f0147b43af2d047deb4f1591a09d69444b38450f3/dommoore_2026_box_media_lab_film_commission_300dpi-1751-copy.jpg" /> <img width="8225" height="5483" width_o="8225" height_o="5483" data-src="https://freight.cargo.site/t/original/i/f3117a943ef4d58fe7d2a90ee62b9719bc61176f8f6f4dbbd068ac8c315cf124/dommoore_2026_box_media_lab_film_commission_300dpi-1759.jpg" data-mid="247228153" border="0" src="https://freight.cargo.site/w/1000/i/f3117a943ef4d58fe7d2a90ee62b9719bc61176f8f6f4dbbd068ac8c315cf124/dommoore_2026_box_media_lab_film_commission_300dpi-1759.jpg" /> <img width="4817" height="1200" width_o="4817" height_o="1200" data-src="https://freight.cargo.site/t/original/i/1a0cf0a355b485d3af595975d0183918955e2bd1a5e2a19a27e9078a02be5908/anak_still2.jpg" data-mid="244224676" border="0" src="https://freight.cargo.site/w/1000/i/1a0cf0a355b485d3af595975d0183918955e2bd1a5e2a19a27e9078a02be5908/anak_still2.jpg" /> <img width="3260" height="1200" width_o="3260" height_o="1200" data-src="https://freight.cargo.site/t/original/i/804857692b3385e7532ce96850e23338d08b6b3a6a7733c77026047e7979baac/anak_still4.jpg" data-mid="244224678" border="0" src="https://freight.cargo.site/w/1000/i/804857692b3385e7532ce96850e23338d08b6b3a6a7733c77026047e7979baac/anak_still4.jpg" /> <img width="4862" height="1200" width_o="4862" height_o="1200" data-src="https://freight.cargo.site/t/original/i/d474b34d734f3ed5f7080c2724a46c29e566393f79ad2f8319a70c92665b9e40/anak_still3.jpg" data-mid="244224677" border="0" src="https://freight.cargo.site/w/1000/i/d474b34d734f3ed5f7080c2724a46c29e566393f79ad2f8319a70c92665b9e40/anak_still3.jpg" /> <img width="3175" height="1198" width_o="3175" height_o="1198" data-src="https://freight.cargo.site/t/original/i/9bc3f5c0092879986d01d7599c8c37040bc72bdea6848a3c632ac264b92ba3a2/anak_still5.jpg" data-mid="244224679" border="0" src="https://freight.cargo.site/w/1000/i/9bc3f5c0092879986d01d7599c8c37040bc72bdea6848a3c632ac264b92ba3a2/anak_still5.jpg" /> https://sadiaph.com/lei-aloha Wed, 23 Jul 2025 13:13:03 +0000 sadiaph https://sadiaph.com/lei-aloha LEI ALOHA 2025.&nbsp;installation; UV printed birch ply, pine dowel, linen thread group showMostyn Gallery, Llandudno 21 June - 27 September Carreg Ateb: Vision or Dream? brings together newly commissioned works by Welsh artists alongside works by Jeremy Deller and significant collection objects from the National Museum of Wales, Storiel, and Llandudno Museum. “Carreg Ateb” is the name of a rock believed to cause an echo, an answering stone. In this context the exhibition invites reflections on how we listen to the past and how we imagine the future. Moving between memory and material, identity and transformation, dream and vision, the artists engage with the land, languages, and layered histories that shape contemporary Wales. Lei Aloha is an installation exploring the intersections of migration, cultural memory, and joy. Composed of two large beaded curtains, each made from 320 wooden tablets, the work features photographs of Lei Aloha, a London based Filipino and Hawaiian dance troupe active in the 1980s, of which the artist’s mother was a member. Captured on stage and behind the scenes at cultural events across the UK, including performances at the Royal Festival Hall, the images reflect moments of celebration, performance and solidarity among immigrant communities during a time of widespread hostility and systemic exclusion. The photographs are fragmented across the surfaces of the tablets. From a distance, they appear unified, and up close, the images splinter, suggesting the porous nature of memory, time, and identity; how personal and collective histories remain in motion, are often interrupted or incomplete, yet still bound together by resilience and acts of celebration. Suspended in the gallery, the curtains sway with the movement of air and bodies, reanimating the images of Filipino and Hawaiian dance rooted in oral storytelling and island cosmologies. At the same time, the work’s gentle restlessness alludes to migration and displacement, evoking both the grace and difficulty of crossing borders. Co-curated by Jeremy Deller, Kalliopi Tsipni-Kolaza, Joanna Wright and in collaboration with the young company participants at Frân Wen Theatre Company. The exhibition accompanies the National Gallery’s NG200: Triumph of Art, a national project by artist Jeremy Deller, which was commissioned by the National Gallery, London, as part of NG200, its Bicentenary celebrations. Triumph of Art is being developed in partnership with Mostyn in Llandudno, Duncan of Jordanstone College of Art and Design in Dundee, The Box in Plymouth and The Playhouse in Derry-Londonderry. Supported by Art Fund. Carreg Ateb: Vision or Dream? is supported by the Arts Council of Wales, Cadw and Gwynedd County Council. The exhibition at Mostyn is supported by CELF, The National Contemporary Art Gallery Wales, The Colwinston Charitable Trust, Foyle Foundation, Community Foundation Wales, Mostyn Estates and PPG Paints. Images: Rob Battersby&gt;Mostyn exhibition webpage <img width="1500" height="1000" width_o="1500" height_o="1000" data-src="https://freight.cargo.site/t/original/i/7b1d348c4cd752b5528b00ef83270828a82e3be923d6061f9aba1ff136d89040/WEB-1500px-72dpi-Vision-or-Dream_---Mostyn-Gallery-JULY-2025--12.jpg" data-mid="236181233" border="0" src="https://freight.cargo.site/w/1000/i/7b1d348c4cd752b5528b00ef83270828a82e3be923d6061f9aba1ff136d89040/WEB-1500px-72dpi-Vision-or-Dream_---Mostyn-Gallery-JULY-2025--12.jpg" /> <img width="1500" height="1000" width_o="1500" height_o="1000" data-src="https://freight.cargo.site/t/original/i/fee68ea89aee6e30c3a1f3e3414e27b1a51f02be1975268e3865335749938070/WEB-1500px-72dpi-Vision-or-Dream_---Mostyn-Gallery-JULY-2025--16.jpg" data-mid="236181236" border="0" src="https://freight.cargo.site/w/1000/i/fee68ea89aee6e30c3a1f3e3414e27b1a51f02be1975268e3865335749938070/WEB-1500px-72dpi-Vision-or-Dream_---Mostyn-Gallery-JULY-2025--16.jpg" /> <img width="1500" height="1000" width_o="1500" height_o="1000" data-src="https://freight.cargo.site/t/original/i/6ee320a8d8f27689a54afbd72ca25779ff2ff89b5df089279570cf19f4b0676c/WEB-1500px-72dpi-Vision-or-Dream_---Mostyn-Gallery-JULY-2025--17.jpg" data-mid="236181237" border="0" src="https://freight.cargo.site/w/1000/i/6ee320a8d8f27689a54afbd72ca25779ff2ff89b5df089279570cf19f4b0676c/WEB-1500px-72dpi-Vision-or-Dream_---Mostyn-Gallery-JULY-2025--17.jpg" /> <img width="1500" height="1000" width_o="1500" height_o="1000" data-src="https://freight.cargo.site/t/original/i/e12b65ddc08c240cf1f4692f445b9e1d56ab57f50fdb65ed5a9c8ba6730f3a73/WEB-1500px-72dpi-Vision-or-Dream_---Mostyn-Gallery-JULY-2025--18.jpg" data-mid="236181238" border="0" src="https://freight.cargo.site/w/1000/i/e12b65ddc08c240cf1f4692f445b9e1d56ab57f50fdb65ed5a9c8ba6730f3a73/WEB-1500px-72dpi-Vision-or-Dream_---Mostyn-Gallery-JULY-2025--18.jpg" /> <img width="1500" height="1000" width_o="1500" height_o="1000" data-src="https://freight.cargo.site/t/original/i/57457a262f83a103c7d775ce1b1e3b17a8fb7fab36a3d08ed2aa576c385dc361/WEB-1500px-72dpi-Vision-or-Dream_---Mostyn-Gallery-JULY-2025--19.jpg" data-mid="236181239" border="0" src="https://freight.cargo.site/w/1000/i/57457a262f83a103c7d775ce1b1e3b17a8fb7fab36a3d08ed2aa576c385dc361/WEB-1500px-72dpi-Vision-or-Dream_---Mostyn-Gallery-JULY-2025--19.jpg" /> <img width="1500" height="1000" width_o="1500" height_o="1000" data-src="https://freight.cargo.site/t/original/i/a8601a6c296c6508ded6c12cda6c357bad443691448911276a3cffd687724122/WEB-1500px-72dpi-Vision-or-Dream_---Mostyn-Gallery-JULY-2025--30.jpg" data-mid="236181240" border="0" src="https://freight.cargo.site/w/1000/i/a8601a6c296c6508ded6c12cda6c357bad443691448911276a3cffd687724122/WEB-1500px-72dpi-Vision-or-Dream_---Mostyn-Gallery-JULY-2025--30.jpg" /> https://sadiaph.com/signals Tue, 03 Jun 2025 20:46:58 +0000 sadiaph https://sadiaph.com/signals SIGNALS 2025. super 16mm and archival super 8mm film (8min) 1.6:1 with light installation, pewter sculpture, aluminium cast sculpture solo show.The Big Pit National Coal Mining Museum, Blaenavon 31 May - 31 August Through considering the collection, conversations and community of the museum with an anti-colonial, anti-capitalist and ecological lens, Sadia forms connections between Wales’ history of mining and strike, and resource extraction and labour movements worldwide today. Sadia Pineda’s Hameed research began with an exploration of the legacy of tokens and other symbolic, covert strategies of resistance from the history of Welsh mining strikes; and how these can become symbols of international solidarity for mining strikes today. As the Welsh miners’ strikes and UK wide union action in the 1980s sought to fight for workers’ rights, the protection of land, culture and community, as well as complicate capitalist, expedient reinvestment from coal to rare earth metals - how could Wales’ history of mobilising and resistance be in solidarity with resistance today in the global south such as in the DRC, the Philippines, the South American ‘lithium triangle’ and others? How can the Big Pit National Coal Museum and its collection become a symbol or token in itself of international, anti-capitalist and anti-colonial solidarity? Moving Sound (8min) is a speculative work set across 1980s and near-future Wales, shot on super 16mm. In the film, sounds of present day anti-colonial and anti-capitalist strategies for mining strikes are transmitted from Soundcamp streamboxes to the past via an underground, time travelling broadcast. In the 1980s, workers build DIY receivers from Moving Sound portable audio devices, which they use to distribute the broadcast around sites of production and the everyday. Screened in the King Coal Experience (an immersive recreation of the Big Pit underground mine) amidst disused mining machinery, Moving Sound blurs fictional 16mm and archival 8mm footage from Sam Baraitser Smith into covert sonic action to explore how organising converges and enacts across geographies, temporality, fantasy and reality. Winner at FOCUS Film Festival and WOW Film Festival, 2026. Long Distance Calls is a series of sculptural string telephones in the style of commemorative silverware, with each pair joining the shared resistance of mining strikes in Wales and in the Global South. Inspired by Big Pit’s bell system - used by miners to communicate underground in code by touching two metal wires together - Long Distance Calls are votive talismans for organised, underground, quiet signals of international solidarity, that consider how commemoration can function to not only memorialise, but also collectivise resistance against colonial and capitalist resource extraction. The strikes referenced are the Tonypandy Riots (1911), the General Strike (1926), the Miners’ Strike (1984-85), the Brooke’s Point Barricade (2023), the Jujuy Protests (2023) and the Kinshasa Riots (2025). Tokens of Solidarity were designed and cast as part of a series of workshops with invited artists from Wales and the UK. The workshops were an invitation to speculate on how an object can hold alternative, potential and future value in its symbolism and materiality; and took inspiration from Big Pit’s collection of lamp checks, solidarity and union badges, mining scrip, Welsh socialist Robert Owen’s labour vouchers and the Filipino agimat (protection amulet). They are cast in aluminium, in recognition of the land, people and striking workers being harmed and extracted from by colonial bauxite mining worldwide today.&nbsp; Thanks to Sophie Lindsey, Sioned Williams, Ceri Thompson, Dwaine Smith, Len Howell, Dai Powell, Charlie Upton, Matt Pritchard, Samara Addai, Angelina Radaković, Mort Drew, On8mil, Firebug Lighting, not/nowhere, Llantarnam Grange, Soundcamp and The Mosaic Rooms. Signals is part of Perspective(s), a collaboration between Arts Council Wales and Amgueddfa Cymru - National Museum Wales, supported by the Welsh Government. 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data-src="https://freight.cargo.site/t/original/i/92e9f30e48e8d17428a0ecba5bd005bf0d8ffeea77286f4e42355dbff3e1feeb/Llantarnum-Grange-Sadia-Pineda-Hameed_Dan-Weill-Photography-70.jpg" data-mid="234299854" border="0" src="https://freight.cargo.site/w/1000/i/92e9f30e48e8d17428a0ecba5bd005bf0d8ffeea77286f4e42355dbff3e1feeb/Llantarnum-Grange-Sadia-Pineda-Hameed_Dan-Weill-Photography-70.jpg" /> https://sadiaph.com/agimat Tue, 03 Jun 2025 21:06:01 +0000 sadiaph https://sadiaph.com/agimat AGIMAT 2025. ink pen on paper, painted wall text, bronze cast sculpture, super 16mm film (3min) 16:9, installation (daybed, cushions, airline blanket), personal charms, loans from the Edward Lovett collection and Robert Owen Museum. solo show.Llantarnam Grange, Cwmbran 31 May - 16 August Agimat is a solo exhibition by Sadia Pineda Hameed that explores the history of precolonial and postcolonial charms. Through a collection of objects, sculptures, and video, Sadia considers the histories of alternative value, tokens, anting-anting (the Filipino belief in amulets and talismans), and the National Museum’s Edward Lovett charm collection, and their displacements into the museum collection. These works explore how a token can simultaneously inhabit and memorialise, gesture protest, and protect from extraction and land violence. Agimat (3 min) is a super 16mm looping film featuring footage from a trip retracing poet Allen Ginsberg’s visit to the Llanthony Valley. A Miraculous Medallion, gifted before the trip, spins from a rearview mirror reflecting the Virgin Mary statue at Capel-y-Ffin; their alignment marking the charm’s semiotic guidance. Other charms including those from Amgueddfa Cymru - National Museum Wales’ Edward Lovett collection are spun against the sound of coins flipping, a gentle invocation for their powers to reactivate following their histories of extraction, displacement and archiving. The film meditates on the moment the symbolic materialises in a dreamlike state of passage. Mythologies is a set of four bronze cast amulets drawing influence from anting-anting, precolonial and postcolonial Filipino spirituality, and personal and global histories; exploring the power of lorebuilding beyond fiction. Communion is an amulet that features the time 4:59am on one side, often associated with lucid dreaming and in-between states of consciousness, with the reverse side displaying the time eight hours ahead in the Philippines. This amulet holds the power to induce telepathy, enabling communication with family across distances in the dream world. Another amulet, Bayanihan (cooperation in Tagalog), features a nipa hut formed of match sticks, and makes reference to a Filipino tradition of communities carrying stilt houses when a family needs to moves. The reverse side features a sun reminiscent of the Filipino flag. This amulet’s power is to incite unity and collective action, particularly when rebuilding from destruction. Love Team is a playful tribute to Guy and Pip, the manufactured love team persona of Filipino singers/actors Nora Aunor and Tirso Cruz III. One side’s design references the American influence of film and fandom culture on the Philippines; while the reverse features the imagery of a Miraculous Medallion adapted into the initials for Maria Leonora Theresa, a life-sized doll marketed as Guy and Pip’s fictional daughter who some fans believed to be a magical, alive ‘immaculate conception.’ The amulet’s power is to help true feelings surface, particularly in love, and is a talisman for emotional clarity. The amulet Warp holds the frictions of folk Catholicism in the Philippines. It is imprinted with a grid pattern resembling a weaving draft, alluding to Filipino intuitive weaving practices such as the T’boli dream weavers. A Catholic Miraculous Medallion on a chain wraps over and around the amulet, acting as both a symbol of protection in itself, and a memorial to the violences of religious colonisation. The power of this amulet is to protect from harm and extractive energies. Painted on the wall, Worlding traces the symbolic afterlives of memory and spiritual inheritance and mythic pursuit. Through semiotic residue and shapeshifting, the poem draws out how dislocated histories ossify into intimate, talismanic code. Also on display are a selection of charms, both personal and from Edward Lovett’s ethnographic collection at Amgueddfa Cymru - National Museum Wales. Among them, guiding charms such as a hag stone and compass shell echo the themes of intuitive wayfinding that thread through the film Agimat. Organic materials like amber and iron pyrite are included for their long-held reputations as protective amulets, while ‘trade amulets’ such as an Indonesian fish charm or tiger teeth from Congo raise questions around displacement: where does the energy of a charm go when it is removed from its origin, and who or what is it now protecting in the context of ongoing, neocolonial resource extraction? With thanks to Kerstin Kartscher, Uist Corrigan, Lisa Evans, Harun Morrison, Luisa Pineda Hameed, Sioned Williams, Elen Philips, Colin Laker, the Robert Owen Museum, Coles Casting and Llantarnam Grange. Agimat is part of Perspective(s), a collaboration between Arts Council Wales and Amgueddfa Cymru - National Museum Wales, supported by the Welsh Government. 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border="0" src="https://freight.cargo.site/w/1000/i/45164452413ce6fe17d4efa5a8ad86da54e7858ebbf4820c09cd546a2db2a2b9/Sequence-01.00_17_09_11.Still005.jpg" /> <img width="3840" height="2160" width_o="3840" height_o="2160" data-src="https://freight.cargo.site/t/original/i/4a33f35e029abb32bb8a3a742e9dab785aa7811f15c3c80d0e02e3778ac9d4ec/Sequence-02.00_02_42_12.Still001.jpg" data-mid="234138129" border="0" src="https://freight.cargo.site/w/1000/i/4a33f35e029abb32bb8a3a742e9dab785aa7811f15c3c80d0e02e3778ac9d4ec/Sequence-02.00_02_42_12.Still001.jpg" /> https://sadiaph.com/mmmm-note Tue, 03 Jun 2025 21:39:01 +0000 sadiaph https://sadiaph.com/mmmm-note MMMM NOTE 2025. ink pen on paper. billboard commission. with Kerstin Kartscher.Llantarnam Grange, Cwmbran 31 May 2025 - 31 April 2026 Developed after research at the Robert Owen Museum in Newtown, Wales, MMMM NOTE reimagines material representations of value through symbolism, creating a speculative voucher from a future where value is measured through irrational, ‘delirious’ modes of intuition, belief and conjuring. The voucher is both an artifact and amulet for a world where value flows through collective fantasy rather than market demand, and rest is valued as a space of productivity and radical activity. A collaboration between artists Kerstin Kartscher and Sadia Pineda Hameed, the billboard draws on Robert Owen’s 19th-century labour vouchers to create a playful counterfeit, deconstructing value as imagined rather than issued, and takes its title from David Medalla's MMMMMMM...Manifesto (1965), in which the artist dreams of ‘sculptures without hope, with waking and sleeping hours.’ MMMM NOTE accompanies Agimat, a solo exhibition by Sadia Pineda Hameed that explores the history of colonial and indigenous charms. Through objects, bronze sculpture and film, Agimat considers alternative currencies, the Filipino anting-anting tradition, and the displacement of charms like those in Edward Lovett’s collection into national museums. These works explore how tokens can simultaneously inhabit and memorialise; gesturing protest against and offering protection from extraction. Agimat is part of Perspective(s), a collaboration between Arts Council Wales and Amugeddfa Cymru - National Museum Wales, supported by the Welsh Government. Images: Dan Weill&gt;Commission page <img width="3000" height="2001" width_o="3000" height_o="2001" data-src="https://freight.cargo.site/t/original/i/a33aa8acc33315b5eec818e99448b9ae560ff84cb25d79493ea7723442de7eec/Llantarnum-Grange-Sadia-Pineda-Hameed_Dan-Weill-Photography-1.jpg" data-mid="234299759" border="0" src="https://freight.cargo.site/w/1000/i/a33aa8acc33315b5eec818e99448b9ae560ff84cb25d79493ea7723442de7eec/Llantarnum-Grange-Sadia-Pineda-Hameed_Dan-Weill-Photography-1.jpg" /> <img width="3000" height="2001" width_o="3000" height_o="2001" data-src="https://freight.cargo.site/t/original/i/22cab62ca6b788a565733f52d42ad2cb941e819e526fa5d7528db82190c1a010/Llantarnum-Grange-Sadia-Pineda-Hameed_Dan-Weill-Photography-2.jpg" data-mid="234299760" border="0" src="https://freight.cargo.site/w/1000/i/22cab62ca6b788a565733f52d42ad2cb941e819e526fa5d7528db82190c1a010/Llantarnum-Grange-Sadia-Pineda-Hameed_Dan-Weill-Photography-2.jpg" /> <img width="3000" height="2001" width_o="3000" height_o="2001" data-src="https://freight.cargo.site/t/original/i/bb18c0ca08b07f142f37160ba9556be6bcc5a0a26c3851cb6a250941ad866bab/Llantarnum-Grange-Sadia-Pineda-Hameed_Dan-Weill-Photography-3.jpg" data-mid="234299761" border="0" src="https://freight.cargo.site/w/1000/i/bb18c0ca08b07f142f37160ba9556be6bcc5a0a26c3851cb6a250941ad866bab/Llantarnum-Grange-Sadia-Pineda-Hameed_Dan-Weill-Photography-3.jpg" /> <img width="3000" height="2001" width_o="3000" height_o="2001" data-src="https://freight.cargo.site/t/original/i/a0b8b351fcd55d19040962fe7051848bfa8805254a37ae5ab5bba93201cf92d7/Llantarnum-Grange-Sadia-Pineda-Hameed_Dan-Weill-Photography-4.jpg" data-mid="234299762" border="0" src="https://freight.cargo.site/w/1000/i/a0b8b351fcd55d19040962fe7051848bfa8805254a37ae5ab5bba93201cf92d7/Llantarnum-Grange-Sadia-Pineda-Hameed_Dan-Weill-Photography-4.jpg" /> <img width="3000" height="2001" width_o="3000" height_o="2001" data-src="https://freight.cargo.site/t/original/i/dcec94b05182181567b32a200d93caf735b70bdfa3fe33059fb4b1a27990bb91/Llantarnum-Grange-Sadia-Pineda-Hameed_Dan-Weill-Photography-31.jpg" data-mid="234299917" border="0" src="https://freight.cargo.site/w/1000/i/dcec94b05182181567b32a200d93caf735b70bdfa3fe33059fb4b1a27990bb91/Llantarnum-Grange-Sadia-Pineda-Hameed_Dan-Weill-Photography-31.jpg" /> https://sadiaph.com/a-medium Thu, 29 Feb 2024 18:48:26 +0000 sadiaph https://sadiaph.com/a-medium A MEDIUM FOR ALL THE MOMENTS OUTSIDE OF TIME 2024. installation; ash wood, wool surge fabric, acrylic paint, projection mapping, sound group show.Here, at the edge, today., g39, Cardiff 27 January - 23 March For ‘Here, at the edge, today’, the artists have designed a multi-media installation, creating an immersive prototype technology for association and communion across time. A Medium for All the Moments Outside of Time finds one form for the artists’ three month residency at the British School at Rome researching speculative architecture and social space. Set in a future in which technology exists for dialogic and collective leisure experiences in ‘communing halls’, the work follows two characters on an interrelated journey through historic arboretums and botanic gardens; to future transport networks and marginal green ecosystems; onboard colonial ships and islands occupied by invasive plant hunters. Language and its potential for slippage, breakdown and revealing contradiction offer the potential for a new medium of interpersonal connection between and beyond these histories. Inspired by research into conversation pits, radical unrealisable architecture and interior design, this prototype booth creates a space of leisure and relation that encourages a duo relationship, occupying the ghostly bodies of these fictional characters. The booth’s angled design is porous; allowing onlookers but only from a distance, creating an intimate space for the users’ encounter. The duo’s past research into the Filipino board game Sungka; redesigning the game in response to the colonial histories of the Philippines to become a space of communication, play and dialogue in ‘rustic futures’; results in a new board incorporated into the booth, augmented by the interrelation of architecture, vertical projection and immersive soundwork. Thanks to Alice Bucknell, James Clegg, Umulkhayr Mohamed, Shenece Oretha, Peter Mutschler, Anthony Shapland, Aled Simons and Wingshan Smith.&nbsp; Made as part of a collaborative duo. SPH + BWB, 2018 - 2024 Design, projection mapping and sound by SPH. Curated by Anthony Shapland. Supported by g39, the British School at Rome Fellowship 2023-24 and Freelands Foundation Fellowship 2022-24. Images: Dan Weill&gt;exhibition webpage &gt;British School at Rome interview <img width="3600" height="2400" width_o="3600" height_o="2400" data-src="https://freight.cargo.site/t/original/i/81580ab51d0c536a8ee0bd56fb38c456783b511b57bf7c0e3e46872942342f84/G39-HATET-WRT_Feb24_Dan-Weill-Photography-39.jpg" data-mid="205783403" border="0" src="https://freight.cargo.site/w/1000/i/81580ab51d0c536a8ee0bd56fb38c456783b511b57bf7c0e3e46872942342f84/G39-HATET-WRT_Feb24_Dan-Weill-Photography-39.jpg" /> <img width="3600" height="2400" width_o="3600" height_o="2400" data-src="https://freight.cargo.site/t/original/i/87f9d8661f07346c022aabea29de3bcbc36b6aadd22bd9bb358ec906219df357/G39-HATET-WRT_Feb24_Dan-Weill-Photography-27.jpg" data-mid="205783506" border="0" src="https://freight.cargo.site/w/1000/i/87f9d8661f07346c022aabea29de3bcbc36b6aadd22bd9bb358ec906219df357/G39-HATET-WRT_Feb24_Dan-Weill-Photography-27.jpg" /> <img width="3600" height="2400" width_o="3600" height_o="2400" data-src="https://freight.cargo.site/t/original/i/e460c513f7329db547f3349affab577d5e7a806fcda475ceaaabd11ac3578b59/G39-HATET-WRT_Feb24_Dan-Weill-Photography-136.jpg" data-mid="205783780" border="0" src="https://freight.cargo.site/w/1000/i/e460c513f7329db547f3349affab577d5e7a806fcda475ceaaabd11ac3578b59/G39-HATET-WRT_Feb24_Dan-Weill-Photography-136.jpg" /> <img width="3600" height="2400" width_o="3600" height_o="2400" data-src="https://freight.cargo.site/t/original/i/1481029f7ab053d150c45336559391eee82f2b9601160397c70aeea160f697f4/G39-HATET-WRT_Feb24_Dan-Weill-Photography-30.jpg" data-mid="205783791" border="0" src="https://freight.cargo.site/w/1000/i/1481029f7ab053d150c45336559391eee82f2b9601160397c70aeea160f697f4/G39-HATET-WRT_Feb24_Dan-Weill-Photography-30.jpg" /> <img width="3600" height="2400" width_o="3600" height_o="2400" data-src="https://freight.cargo.site/t/original/i/4e166995008241fde1e3a665bc123018ef16cb1cb9060097fad123c60dcf2762/G39-HATET-WRT_Feb24_Dan-Weill-Photography-116.jpg" data-mid="205783860" border="0" src="https://freight.cargo.site/w/1000/i/4e166995008241fde1e3a665bc123018ef16cb1cb9060097fad123c60dcf2762/G39-HATET-WRT_Feb24_Dan-Weill-Photography-116.jpg" /> <img width="3600" height="2400" width_o="3600" height_o="2400" data-src="https://freight.cargo.site/t/original/i/56ac03b6717f8b9b9b4cf98253a46a381a0653298ef7dae49eaa1a797e86912c/G39-HATET-WRT_Feb24_Dan-Weill-Photography-124.jpg" data-mid="205783862" border="0" src="https://freight.cargo.site/w/1000/i/56ac03b6717f8b9b9b4cf98253a46a381a0653298ef7dae49eaa1a797e86912c/G39-HATET-WRT_Feb24_Dan-Weill-Photography-124.jpg" /> <img width="3600" height="2400" width_o="3600" height_o="2400" data-src="https://freight.cargo.site/t/original/i/1ea740f28c8bc7d4a3baec86759ed00b1874fe97aaa8934415af73b3866a7052/G39-HATET-WRT_Feb24_Dan-Weill-Photography-107.jpg" data-mid="205783863" border="0" src="https://freight.cargo.site/w/1000/i/1ea740f28c8bc7d4a3baec86759ed00b1874fe97aaa8934415af73b3866a7052/G39-HATET-WRT_Feb24_Dan-Weill-Photography-107.jpg" /> <img width="3600" height="2400" width_o="3600" height_o="2400" data-src="https://freight.cargo.site/t/original/i/edf1b5b40e91be69ad28fa0c479f6a8e7dc38a80fe47592535a88ee575914a9d/G39-HATET-WRT_Feb24_Dan-Weill-Photography-28.jpg" data-mid="205783798" border="0" src="https://freight.cargo.site/w/1000/i/edf1b5b40e91be69ad28fa0c479f6a8e7dc38a80fe47592535a88ee575914a9d/G39-HATET-WRT_Feb24_Dan-Weill-Photography-28.jpg" /> <img width="3600" height="2400" width_o="3600" height_o="2400" data-src="https://freight.cargo.site/t/original/i/8e556b2fee681187a3e18c794ca043f57b32e0b5bbe9c001b4fdccaec5a6a44d/G39-HATET-WRT_Feb24_Dan-Weill-Photography-106.jpg" data-mid="205783411" border="0" src="https://freight.cargo.site/w/1000/i/8e556b2fee681187a3e18c794ca043f57b32e0b5bbe9c001b4fdccaec5a6a44d/G39-HATET-WRT_Feb24_Dan-Weill-Photography-106.jpg" /> <img width="3600" height="2400" width_o="3600" height_o="2400" data-src="https://freight.cargo.site/t/original/i/5cd6849025006d0673975a16bf61c8ea60171416be5c35028f4823f12b25f37c/G39-HATET-WRT_Feb24_Dan-Weill-Photography-111.jpg" data-mid="205783490" border="0" src="https://freight.cargo.site/w/1000/i/5cd6849025006d0673975a16bf61c8ea60171416be5c35028f4823f12b25f37c/G39-HATET-WRT_Feb24_Dan-Weill-Photography-111.jpg" />