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sadiaph@gmail.com
@sadiaph

b. 1995, London
based in the Ebbw Valley, Wales

Sadia Pineda Hameed is a Filipina Pakistani artist and writer whose work explores latent ways to speak about collective and intergenerational trauma through inherent anticolonial strategies of dreaming, telepathic communion and secrets. Using film, installation, text and performance, her work further imagines what future tools for resistance, value and communication springing from these strategies might look like.

Her practice is led by a process of cross-disciplinary semiotic and associative journeying in resistance to western processes of historicisation and displacement. Mythmaking, melodrama, decoy, unearthing and hiding become playful devices to immerse viewers in a ‘delirious discourse’ where personal archives and collective experiences converge.

She also also runs print, radio and curatorial project LUMIN.

AWARDS

Arts Council Wales Perspectives Fellowship 2024
Pushcart Prize Nominee 2023
British School at Rome Fellowship 2023
g39 Freelands Fellowship 2022-24
Arts Foundation Futures Award for Visual Artists longlist 2022
Paul Hamlyn Award for Visual Artists 2021
Literature Wales New Writers Award 2020
Rising Star Wales Writers Award 2020

SOLO EXHIBITION


2025
Forthcoming, Llantarnam Grange, Cwmbran
Forthcoming, The Big Pit Mining Museum, National Museum Wales, Blaenavon

2023
Ornaments of Prospect, Catalyst Arts, Belfast

2022
Billboards, Brent Biennial 2022, In the House of my Love, Metroland Cultures, Build Hollywood and Studio Voltaire, London

2021
it resonates like spalting wood, Arcade/Campfa, Cardiff

2020
The Song of My Life, Bluecoat, Liverpool

Local 37, MOSTYN, Llandudno

2019
Tiny Bubbles in the Wine, HOAX, online

GROUP EXHIBITION


2024
HERE, NOW, Bay Arts, Cardiff

Here, at the edge, today, g39, Cardiff

Betwixt: Beneath, the Crypt Gallery, London

SMALL V01CE, Honor Fraser, Los Angeles

2023
Can publications be porous?, Stuart Hall Library, Iniva, London

British School at Rome Open Studios, Rome

2022
Open Milpa Lab: Living Room, Centrum Kultury ZAMEK, Poznan

Thinking Green, Glynn Vivian, Swansea

I Watched in Amazement, curated by HOAX, The Mosaic Rooms, London

2021
The Mobile Feminist Library: In Words, In Action, In Connection, MOSTYN, Llandudno

Jerwood UNITe open studios, g39, Cardiff

2020
(un)seen (un)heard, National Museum Cardiff

2019
Made in Roath Open, g39, Cardiff

A New Mecca, The Temple of Peace, Gentle/Radical, Cardiff

2018
Analogue, Three Doors Up, Cardiff

RESIDENCIES


2025
Tin House, Portland

2023
British School at Rome, Rome

2022
Centrum Kultury ZAMEK, Poznan

Casgleb, Peak Cymru, Abergavenny

2021
Unidee, Cittadellarte - Fondazione Pistoletto, Biella

Co-Tangent, Tangent Projects, Barcelona

Jerwood UNITe, g39, Cardiff

Catalyst Arts Spring online residency, Belfast

2020
Hinterlands, Peak Cymru

Hunan-Iaith, Ty Newydd National Writing Centre for Wales, Criccieth

2019
WARP Library residency, g39, Cardiff

New Writers Award residency, Ty Newydd National Writing Centre for Wales, Criccieth

Curatorial residency, SHIFT, Cardiff


PERFORMANCE


2022
Link Rot, Jerwood Staging Series, Jerwood Arts

2021
Borrow Tomorrow, The Mosaic Rooms, London

PAMPHLET BOMB, Chapter Arts Centre, Cardiff

speculation, Jerwood UNITe open studios, g39, Cardiff

2020
return etc, Digithon Festival, arts headliner, Wales Arts Review

2019
featured poet, Where I’m Coming From, g39, Cardiff

Bearing Witness to Truth, National Museum Cardiff and Artes Mundi, Cardiff

2018
The Crypt, Gentle/Radical’s A New Mecca, The Temple of Peace, Cardiff

Decolonising Heritage with Gentle/Radical, Bay Arts, Cardiff, commissioned by the Eisteddfod & the National Trust

featured poet, Porridge, Theatre Deli, London

featured poet, Women & War: An Un-silencing, The Open University and Festival of Voice, Cardiff

PUBLICATION


2025
Xeno Futurism issue 2

2024
Poetry Wales 60.2 Winter 2024

Cwyr Zine issue 2

2023
Poetry Wales 59.1 Summer 2023

Interview, British School at Rome

2022
HON: Women Artists in Wales, H’mm Arts Foundation Press

UTYPIA, Oriel Davies Gallery

2021
Merched yn Gwneud Celf zine, Eisteddfod

Poetry Wales 57.1 Summer 2021

DOUBLE, Takeaway #9

Imagining Internationally Connected Practice (consulting artist), Arts Council Wales

2020
Undefining the Artist, Wales Arts Review

Dismantling Structural Inequality in Your Cinema, BFI

LOVE Magazine, Love Diaries vol. 1

Evening, ZARF #14

2019
Tortang Tolang, Porridge Magazine: Comfort Foods

Site Ruin, Amberflora issue 6

Interview, Wide Vicinity

2018
Save Our Sculpture, Wales Arts Review

For you, after a film, Porridge Magazine issue 1

To (Un)speak Madness re: Derrida, Foucault, Artaud, LUMIN Journal 1

TALKS


2023
CASTRO Projects, Rome

visiting artist, Arts Council Wales’ Cynefin

visiting artist, Oriel Myrddin

2022
visiting artist, Cardiff Metropolitan - Fine Arts BA

visiting artist, Oxford University - Fine Arts MA

2021
HerStories / Shelf Life, Iniva

Home and Away, Gallery Simpson, Swansea

Dismantling Structural Inequality In Your Cinema, Glasgow Film Festival (2021), This Way Up Festival (2020)

guest, Boxoffice podcast

2020
Women in Publishing Symposium panelist, Bangor University

2019
guest critic, Arts Review Show, BBC Radio Wales

Dis/establishing the Archive, Archiving Gender symposium paper presentation, Cardiff University

2018
Decolonising the Starving Artist, Gentle/Radical’s Imagination Forum #4, symposium at Sustainable Studios, Cardiff
 

ORNAMENTS OF PROSPECT


2023. sculpture, sound

solo show. with Beau W Beakhouse.

Catalyst Arts, Belfast, Northern Ireland.

2 March - 1 April

Ornaments of Prospect is an installation by collaborative duo Beau W Beakhouse and Sadia Pineda Hameed at Catalyst Arts. The installation sets out to reimagine tool making and methods of metal production, and how this might lead to collective and alternative modes of communication, knowledge and craft.

The installation expands on rural and agricultural use of tools, traversing alternative worlds of steel production and industrial backdrops of science fiction, to open a dialogue surrounding the complex and multiple approaches to tools, their manufacture and expanded use.

Through experiments in metalwork and heat treatment the duo investigate the potential of waste and the speculative futures that arise from skeletal cut outs rendered nonfunctional in the process of crafting tools. The work envisions the speculative tools and collaborations that can emerge from these spaces of absence, considering the new languages and actions that objects with an unknown function can unfold. The question what does a future look like in which tools are created without purpose? permeates the installation.

Tools and their use can also redefine hierarchies and create a foundation for considering anti colonial strategies of resistance, whilst acknowledging the complex role of tools in capitalist and western hands that utilise their designs as instruments of progress. Through reconceptualising the Filipino bolo, a tool used both for agriculture and warfare, the work in the exhibition questions how colonial tools can be subtly repurposed in small ways, remoulding ideas of profit, material maximisation, use and functionality.

Curated by Cecelia Graham, Director Catalyst Arts, with accompanying text ‘The Consolation of Carpenters’.

Supported by Arts Council Northern Ireland and Jerwood Arts New Work Fund.

Alongside the exhibition, multiples of the artwork Charms are available to buy (edition of 8). If you are interested in purchasing a Charm, please email catalystarts@gmail.com

Images: Simon Mills