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sadiaph@gmail.com
@sadiaph

b. 1995, London
Lives in the Ebbw Valley

Sadia Pineda Hameed is a Filipina Pakistani artist and writer based in the Ebbw Valley, Wales. She works in film, installation, text and performance to explore collective and inherited trauma; in particular, the latent ways we speak about this through dreaming, telepathic communion and secrets as an anti-colonial strategy inherent to us. Her practice is led by semiotic and associative journeying, and a trust in the intuitive process.

She often works with Beau W Beakhouse (beauwbeakhouse.com) as a collaborative duo. Their installations combine sculptural wood and metalwork with text, audio, film and performance to imagine autonomous and alternate futures and to consider the relations between colonialism, labour and speculative fiction. Condensed in their concept of ‘rustic futures’, the duo create hybrid objects using repurposed techniques and processes familiar to both traditional craft and industrial manufacture. Together they were awarded the g39 Freelands Fellowship 2022-24, and co-founded print, radio and curatorial project LUMIN (lumin-press.com).

AWARDS

Arts Council Wales Perspectives Fellowship 2024
Pushcart Prize Nominee 2023
British School at Rome Fellowship 2023
g39 Freelands Fellowship 2022-24
Arts Foundation Futures Award for Visual Artists longlist 2022
Paul Hamlyn Award for Visual Artists recipient 2021
Literature Wales New Writers Award recipient 2020
Rising Star Wales Writers Award recipient 2020

SOLO EXHIBITION


2025
Forthcoming, Llantarnam Grange, Cwmbran

2024
Forthcoming, National Museum Wales, South Wales

2023
Ornaments of Prospect, Catalyst Arts, Belfast

2022
(misunderstanding), (accommodation), (performance), (loss), Brent Biennial 2022, In the House of my Love, Metroland Cultures, Build Hollywood and Studio Voltaire, London

2021
it resonates like spalting wood, Arcade/Campfa, Cardiff

2020
The Song of My Life, Bluecoat, Liverpool

Local 37, MOSTYN, Llandudno

2019
Tiny Bubbles in the Wine, HOAX, online

GROUP EXHIBITION


2024
HERE, NOW, Bay Arts, Cardiff

Here, at the edge, today, g39, Cardiff

Betwixt: Beneath, the Crypt Gallery, London

SMALL V01CE, Honor Fraser, Los Angeles

2023
Can publications be porous?, Stuart Hall Library, Iniva, London

British School at Rome Open Studios, Rome

2022
Open Milpa Lab: Living Room, Centrum Kultury ZAMEK, Poznan

Thinking Green, Glynn Vivian, Swansea

I Watched in Amazement, curated by HOAX, The Mosaic Rooms, London

2021
The Mobile Feminist Library: In Words, In Action, In Connection, MOSTYN, Llandudno

Jerwood UNITe open studios, g39, Cardiff

2020
(un)seen (un)heard, National Museum Cardiff

2019
Made in Roath Open, g39, Cardiff

A New Mecca, Gentle/Radical, Cardiff

2018
Analogue, Three Doors Up, Cardiff

RESIDENCIES


2023
British School at Rome, Rome

2022
Centrum Kultury ZAMEK residency, Poznan

Casgleb, Peak Cymru, Abergavenny

2021
Unidee, Cittadellarte - Fondazione Pistoletto, Biella

Co-Tangent, Tangent Projects, Barcelona

Jerwood UNITe, g39, Cardiff

Catalyst Arts Spring online residency, Belfast

2020
Hinterlands, Peak Cymru

Hunan-Iaith, Ty Newydd / National Writing Centre for Wales, Criccieth

2019
WARP Library residency, g39, Cardiff

New Writers Award residency, Ty Newydd / National Writing Centre for Wales, Criccieth

Curatorial residency, SHIFT, Cardiff


PERFORMANCE


2022
‘Link Rot’, Jerwood Staging Series, Jerwood Arts

2021
‘Borrow Tomorrow’, The Mosaic Rooms, London

‘PAMPHLET BOMB’, Chapter Arts Centre, Cardiff

‘speculation’, Jerwood UNITe open studios, g39, Cardiff

2020
‘return etc’, Digithon Festival, arts headliner, Wales Arts Review, online

2019
featured poet, Where I’m Coming From, g39, Cardiff

‘Bearing Witness to Truth’, National Museum Cardiff and Artes Mundi, Cardiff

2018
‘The Crypt’, Gentle/Radical’s A New Mecca, The Temple of Peace, Cardiff

‘Decolonising Heritage’ with Gentle/Radical, Bay Arts, Cardiff, commissioned by the Eisteddfod & the National Trust

featured poet, Porridge, Theatre Deli, London

featured poet, Women & War: An Un-silencing, The Open University and Festival of Voice, Cardiff

PUBLICATION


2023
Poetry Wales 59.1 Summer 2023

2022
HON: Women Artists in Wales, H’mm Arts Foundation Press

UTYPIA, Oriel Davies Gallery

2021
Merched yn Gwneud Celf zine, Eisteddfod

Poetry Wales 57.1 Summer 2021

DOUBLE, Takeaway #9

Imagining Internationally Connected Practice (consulting artist), Arts Council Wales

2020
Undefining the Artist, Wales Arts Review

Dismantling Structural Inequality in Your Cinema, BFI

LOVE Magazine, Love Diaries vol. 1

‘After ‘Evening’, Kurt Schwitters’, ZARF #14

2019
‘Tortang Tolang’, Porridge Magazine: Comfort Foods

‘Site Ruin’, Amberflora Issue 6

2018
‘Save Our Sculpture, Wales Arts Review

‘For you, after a film’, Porridge Magazine Issue 1

'To (Un)speak Madness re: Derrida, Foucault, Artaud', LUMIN Journal 1

TALKS


2023
CASTRO Projects, Rome

visiting artist, Arts Council Wales’ Cynefin

visiting artist, Oriel Myrddin emerging artists programme

2022
visiting artist, Cardiff Metropolitan - Fine Arts BA

visiting artist, Oxford University - Fine Arts MA

2021
HerStories // Shelf Life, Iniva

‘Dismantling Structural Inequality In Your Cinema’, Glasgow Film Festival (2021), This Way Up Festival (2020)

2020
Women in Publishing Symposium panelist, Bangor University

2019
guest critic, BBC Radio Wales’ Arts Review Show

‘Dis/establishing the archive’, Archiving Gender symposium paper presentation, Cardiff University

2018
Gentle/Radical’s Imagination Forum #4, symposium at Sustainable Studios, Cardiff
 

A MEDIUM FOR ALL THE MOMENTS OUTSIDE OF TIME


2024. installation; ash wood, wool surge fabric, acrylic paint, projection mapping, sound

group show. with Beau W Beakhouse.

Here, at the edge, today., g39, Cardiff

27 January - 23 March

For ‘Here, at the edge, today’, Beau W Beakhouse and Sadia Pineda Hameed have designed a multi-media installation, creating an immersive prototype technology for association and communion across time. A Medium for All the Moments Outside of Time finds one form for the artists’ three month residency at the British School at Rome researching speculative architecture and social space.

Set in a future in which technology exists for dialogic and collective leisure experiences in ‘communing halls’, the work follows two characters on an interrelated journey through historic arboretums and botanic gardens; to future transport networks and marginal green ecosystems; onboard colonial ships and islands occupied by invasive plant hunters. Language and its potential for slippage, breakdown and revealing contradiction offer the potential for a new medium of interpersonal connection between and beyond these histories.

Inspired by research into conversation pits, radical unrealisable architecture and interior design, this prototype booth creates a space of leisure and relation that encourages a duo relationship, occupying the ghostly bodies of these fictional characters. The booth’s angled design is porous; allowing onlookers but only from a distance, creating an intimate space for the users’ encounter. Beau and Sadia’s past research into the Filipino board game Sungka; redesigning the game in response to the colonial histories of the Philippines to become a space of communication, play and dialogue in ‘rustic futures’; results in a new board incorporated into the booth, augmented by the interrelation of architecture, vertical projection and immersive soundwork.

Thanks to Alice Bucknell, James Clegg, Umulkhayr Mohamed, Peter Mutschler, Ben Orford, Anthony Shapland, Aled Simons and Wingshan Smith. 

Curated by Anthony Shapland.

Supported by g39, the British School at Rome Fellowship 2023-24 and Freelands Foundation Fellowship 2022-24.

Images: Dan Weill